As you can imagine, I’ve hit all the big museums in Florence. Several times, in fact – the Uffizi, the Accademia (where the original David is), Palazzo Vecchio and Pitti, the Bargello, the Medici Chapel… there’s an absurd amount of art in the city, and I haven’t even mentioned the churches. But there’s one museum that is rarely mentioned in the guidebooks. It’s located on one of the major streets that spin off the Duomo like spokes from a mammoth, beautiful, engineering marvel of a wheel. It’s called “il Museo Criminale” (the Criminal Museum/Museum of Crime), though to be honest, this is a misleading name. It’s really a Serial Killer Museum. And yes, I’ve been here too.
I’m trying to remember when I went, actually. The trips blend together a little, but I know it was either Oct/Nov 2007 or February 2008. Funny that I can remember the whole rest of the day and yet nothing sticks out to confirm the month. A friend of mine was visiting from elsewhere in Italy, and I decided it would be a fun activity for us. Er, sort of. Maybe fun is the wrong word.
We ducked in off the street, into an unassuming entrance (except for the small, creepy banner advertising the serial killer exhibit over the door – but it’s very easy to miss). We paid the fee, which included a complimentary (and required, I got the sense) audio guide – mine in English, his in Italian. I’ve never actually used an audio guide in a museum, ever, but I assume this one worked like them all; every “display” had a number, and the track directed you from one to the next, where the disembodied voice educated you in the language of your choice. Although instead of explanations of Renaissance painting techniques, it was killing techniques; instead of descriptions of subjects, it was victims. Long paragraphs on the lives of these excruciatingly disturbed individuals, including their childhoods, killing sprees, and trials (if there were any). Oh, and the background was filled with sounds of torture: clanging, screaming, groaning, ripping.
What constituted these displays, you ask? Each gentleman was represented by a life-size wax sculpture, featured in his own environment (with knickknacks that were significant in his story), and lit up against the black walls in the dark room. Ted Bundy looked dapper and decidedly nonthreatening leaning against his car (how do you think he tricked all those girls into going anywhere with him?), and Ed Gein (that momma’s boy who provided the inspiration for both Norman Bates of Psycho and Buffalo Bill of Silence of the Lambs) sat hard at work sewing his woman-outfit. Jack the Ripper had the fewest details, because of course no one knows much about him, just a cloaked figure standing over the body of a prostitute in a London alley, wielding a bloody knife. (Oh, and there were many more, I’m just giving you a few examples. There were also very interesting and educational explanations of crime scene science and a death penalty room where you could see capital-punishment tools up close.)
It was terrifying. The information was horrifying, of course, albeit shamefully fascinating at the same time. But for me it was particularly scary, in addition to being nauseating. You may not know this about me, but I am severely freaked out by fake-humans, including wax figures (but also mannequins, etc). I feel like they’re going to grab me. The experience of being near them, especially when my back is turned, is like waiting for the bad guy to jump out in the movie – every second filled with progressively more fear and suspense. Except I’m in the movie. With the sound isolation from the torture track in my ears (I wouldn’t even be able to hear them lunging at me, no warning whatsoever) adding to my jumpiness, my blood pressure was pretty high.
On top of everything, my friend’s audio guide kept getting screwed up and he would have to go back to the entrance for help, leaving me alone with the killers (did I mention we were the only ones there?). Each time, I tried to position myself in a place where none of them could reach me, were they to make any sudden movements, and stood clutching my arms and not breathing. I suppose I should have felt safest by the John Wayne Gacy Jr exhibit, as I wasn’t exactly his taste (he preferred boys, of course – though this was little consolation with Bundy at my back), but his was the most creepy of them all. He was in a prime corner spot, with the most elaborate display. It was a replica of his living room, with furniture and family photos. He was standing waist deep in the floor, with his full clown outfit on (did I mention I’m also really freaked out by clowns? – I mean, what normal person isn’t?), and the room was set up as a cross-section, so you could see his feet below in the dirt under the house, along with the skeletons of his victims.
I’m writing about this because someone sent me this link for Sufjan Stevens’ song “John Wayne Gacy Jr”, from his “Illinois” album, and it made me think of that day. The song is beautiful, and chilling, and lovely, and creepy. Here’s the video:








































